LES APPARENCES de Gillian FLYNN (in French)

Titre original : GONE GIRL
Traduction de : Héloïse Esquié
Éditions Sonatine

Un court résumé de cet excellent bouquin dont Jacques a fait un brillant compte rendu il y a quelques semaines. Ne manquez pas d’aller le lire. Je ne peux qu’abonder dans le même sens.

Amy Dunne disparait le jour de son cinquième anniversaire de mariage et selon toute vraisemblance, cela ne s’est pas fait sans violence. À première vue, son union avec Nick est idyllique et ils forment un couple particulièrement bien assorti. Avant de disparaître, elle a eu le temps de semer les indices de leur chasse aux trésors annuelle pour célébrer leur anniversaire. Indices qui en réalité se retournent contre son mari et lui font porter bien vite le masque de suspect numéro 1. D’un chapitre à l’autre, l’auteur  nous fait découvrir les différentes facettes d’un mari injustement accusé, mais pas complètement innocent non plus, et d’une femme qui se présente en victime mais qui s’exerce depuis son plus jeune âge à mystifier son entourage.

Un récit machiavélique sur l’art de la manipulation très habilement présenté tout à tour du point de vue masculin et féminin.

Public cible : pour tous les amateurs de suspense psychologique et si vous avez aimé Jusqu’à la folie de Jesse Kellerman.

L'auteur : Gillian Flynn est américaine, elle a été critique de télévision pour Entertainment Weekly. Elle signe ici son troisième roman après Les lieux sombres et Sur ma peau.

texte de Grenouille Noire








PRISON AVEC PISCINE de Luigi CARLETTI (in French)

Titre italien original : Prigione con piscina
Traduction de : Marianne FAUROBERT
Éditions Liana Levi

Pour prolonger un peu la belle saison, je vous suggère cette traduction, de l’italien, qui ne se présente pas comme un polar, au premier abord.

C’est l’été, à Rome, à la villa Magnolia, riche oasis pour gens fortunés. En ce mois d’août caniculaire, il fait bon prendre le frais au bord de la piscine, lieu d’échange de tous les ragots du coin. Et il y a justement matière à alimenter les discussions des anciens depuis l’arrivée de ce nouveau locataire, Rodolpho Raschiani. Mystérieux, doté d’un grand magnétisme, il ne tarde pas à se rendre indispensable auprès de ce club très fermé, en rendant des services bien spéciaux aux uns et aux autres. Les atroces cicatrices qui lui zèbrent le dos ne réussissent pas à inquiéter sa galerie d’admirateurs et contribuent plutôt à augmenter sa cote.

Même Filippo se laisse prendre à son jeu. Réputé sociologue, retraité depuis qu’il est coincé dans un fauteuil roulant à la suite d’un accident de moto, bien peu de choses avait jusqu’ici réussi à le sortir de sa torpeur malgré les efforts d’Isidro, son fidèle majordome, pour l’ancrer dans sa nouvelle vie.

En fait, la villa Magnolia est une prison dorée pour Rodolpho, où il est assigné à résidence comme témoin important d’un procès impliquant la mafia. Elle l’est aussi devenue pour Filippo. L’un et l’autre échafaudent pourtant des plans pour faire le mur, mais de nature fort différente.

Une histoire bien menée, une description fine et moqueuse de ce cercle de bien-nantis, la chaleur de l’été romain et la description de certains repas bien arrosés contribuent à faire de ce roman “à intrigues”, une surprenante et très divertissante lecture.

Sur l’auteur: Luigi Carletti est journaliste et travaille dans de nombreux quotidiens du groupe L'Espresso. Il est l'auteur de cinq romans, dont Prison avec piscine, son plus récent mais le premier traduit en français.

texte de Grenouille Noire
 
 


 




QUEBECRIME WRITERS FESTIVAL (REMINDER)




REMINDER:
The House of Crime & Mystery and La Maison Anglaise Bookstore are proud to present the second edition of the QuébeCrime Writers Festival, which will be held next week (October 25-27) in beautiful Québec City, and we are enthusiastically presenting to you our world-class line-up: Wayne Arthurson, Linwood Barclay, Mark Billingham, Peggy Blair, Giles Blunt, Chelsea Cain, John Connolly, Brian Freeman, Chris F. Holm, Peter Kirby, Mons Kallentoft, Owen Laukkanen, Laura Lippman, Archer Mayor, John McFetridge, Robert Pobi, Michael Robotham, Brad Smith, and also David Swinson.
This year, the evening events will each have 6 writers instead of the 5 we had during our first festival, in 2011.
We'll also be holding two events in French, with Québec writers Geneviève Lefebvre (just added), Martin Michaud, Patrick Senécal, Johanne Seymour. Unfortunately, Patrick DeFriberg had to cancel because of other work-related obligations.

Here is the official schedule for the main events: (all the events will be followed by a short period of questions from the public, and book signings).

Thursday, October 25:
7.30 pm - 9.30 pm: Reading/talk with Linwood Barclay, Mark Billingham, Giles Blunt, Laura Lippman, Archer Mayor, Michael Robotham

Friday, October 26:
6.00 pm - 8.00 pm: Panel "The Drama of Everyday Life: Small Lives, Bigger Fears?" with Linwood Barclay, Mark Billingham, Giles Blunt, Archer Mayor, John McFetridge

8.30 pm - 10.30 pm: Reading/talk with John Connolly, Brian Freeman, Chris F. Holm, Peter Kirby, Robert Pobi, David Swinson

Saturday, October 27:
10.30 am - 12.30 pm: Panel "Books to Die For: What Do Writers Read" with Mark Billingham, Chelsea Cain, John Connolly, Brian Freeman, Chris F. Holm, Mons Kallentoft, Owen Laukkanen

1.00 pm - 3.00 pm: (in French) Panel "Le polar Québécois : un monde à part?" avec Geneviève Lefebvre, Martin Michaud, Patrick Senécal, et Johanne Seymour.

3.30 pm - 5.30 pm: Panel "Living the Double-Life: To Work and To Write" with Wayne Arthurson, Peggy Blair, Peter Kirby, Robert Pobi, Brad Smith, David Swinson.

6.30 pm - 8.30 pm: Discussion et lecture avec Geneviève Lefebvre, Martin Michaud, Patrick Senécal, et Johanne Seymour.

9.00 pm - 11.00 pm: Reading/talk with Wayne Arthurson, Peggy Blair, Chelsea Cain, Mons Kallentoft, Owen Laukkanen, John McFetridge.

For full details on other events (like CSI activities) and to purchase tickets, go to our official website
 
Here's hoping we'll see you in Québec City next week!
The Morrin Center in Old-Quebec City

JF
June 2012
(2nd update October 18th, 2012)
-30-


RESURRECTED by Steve TROTTER (short review & guest post)

While reading Steve Trotter's self-published ebook RESURRECTED, I kept thinking ''this is as good as many crime novels published by well-known publishing houses''. It takes place in Montréal, a city I know pretty well, that Trotter exploits just enough to give the book a certain personality, without falling into the trap of relying too much on the place and forgetting about the characters. These characters, from Adam Wolf to the twin sisters (Tyler and Terri), from Night Owl to the cast of gang members, are all well-defined, even if sometimes a little bigger than reality, but still, always within believability. There are people like these, somewhere, but fortunately I don't get to meet them in reality. None are to be messed up with, until they get to face each others.
 
After being witness to a cold-blooded murder in a restaurant, Adam Wolf is threatened so he'll keep his mouth shut. But no one knowing Wolf would try to shut him up, and certainly not try to intimidate him. And he'll make it clear pretty quickly...and with bodily harm. Steve Trotter takes us on an entertaining ride across Montréal, where beautiful streets and sights are not usually witness to much violence. But here, we enter restaurants, apartments, and houses where the echo of firing guns is followed by cries of pain and swearing, and where the walls are sprayed with blood and brain matter. Sometimes though, these same walls also echo lovemaking's grunts and sighs, and maybe some tender words. Because as much as Resurrected is an action-packed crime novel, it is also about falling in love at 60 --or trying to resist the fall while questioning the pros and cons of it, the needs vs the fears of getting into a serious relationship when your past experience answers with all the negative reasoning. Of course, it becomes also a look into the inner fragility of a man getting older and facing his own mortality. As a great plus, Steve Trotter shows talent for great timing with humour, as much in funny situations as within witty dialogue and tongue-in-cheek réparties.
 
To learn more about Resurrected and about Steve Trotter's decision to self-publish in digital, I've asked him to do a guest post. Here's what he sent me.   
 
 
Old Guys Rock!
Meet Adam Wolf, 60: An Action Thriller Hero With A Killer Past!


The literary fiction universe is bursting at the crotch with action-thriller series starring young, ripped studs with a hot babe on each arm, an assault weapon in each hand and grenades for balls. “Hey,” I thought as I drank my Benefiber, “how about a guy who’s just hit the big six oh-oh? A boomer who retires from a killer SF and black ops career and resurrects himself as an indie YA author targeting teen boys (talk about a double challenge). And who, while reluctantly celebrating his 60th birthday with his girlfriend (Jazz, 49, a travel writer who loves Wolf just the way he is) witnesses a mob hit, agrees to testify, has a contract slapped on his head, and goes into hunter mode against both the mob and their outlaw biker trigger men.”
I wanted my hero to be resourceful, imaginative, and tech savvy, to have a clear sense of the divide between true justice and the justice system. I gave him a big heart, a soft spot for underdogs, a cynical sense of humor, a healthy sex drive, and a fear of commitment driven by the dread of putting someone he loves in harm’s way (not the fear of commitment that springs from the loins of midlife crisis and is fuelled by liberal doses of Viagra). I also gave him a ’52 Les Paul and a Marshall stack and the talent to play kickass rock and blues. As for his voice? Well, nobody’s perfect. I named my hero Adam Wolf because I felt Adam is a metaphor for the inherent purity of man’s spirit, while Wolf embodies the natural born hunter that dwells within that same man. Wolf is proficient in several languages. And unlike ex-military badasses like Reacher, Wolf has a fixed address, a car, a washer & dryer, and a stray tom with the appetite of a Lab and a microchip between his shoulder blades to work the cat flap. Wolf also has a widowed mom who lives up the road from him the months she isn’t toasting sunsets on The Gulf Coast.
Wolf is a lone wolf, but he is not a loner. He has two brothers-in-arms he works, jams and kills with. Ex SF and black ops operator Night Owl, 62, is a proud Mohawk and single dad who runs a security agency with his twin girls, Terri & Tyler, and plays a vintage Fender Precision bass. Ex JTF2 operator Kit Katz, 42, is a Jew in a Chinese body with a sense of humor as lame as his name. He’s also a bitch of a drummer and lives on top of a crematorium cause he loves the heat.
Life on the Digital Highway… there are several reasons I decided to take Wolf & Co. for a ride down the digital highway. For starters, I’m not getting any younger and I grew tired of waiting for agents to get “enthusiastic enough” about my writing to offer representation. Next, I was encouraged by the success stories of indie writers like Joe Konrath, Barry Eisler, and Blake Crouch. Thirdly, I liked the idea of having total control of my product: cover, content, title, and pricing, and having my titles on the digital bookshelves for as long as I wanted. I am pleased that RESURRECTED: An Adam Wolf Thriller is generating positive reader and critical reviews and that sales are steady and growing. With the forthcoming release of the sequel to RESURRECTED, and a couple of stand-alones in 2013, I anticipate further growth in readership.
Steve Trotter
 
You can visit Steve Trotter on his website and you can buy ''Resurrected'' here ...only $2.99 for a limited time.
-30-

THE CUTTING SEASON by Attica LOCKE (a review)

(This is part of a TLC Book Tour)

Belle Vie is a plantation, in the south of Louisiana, where the past exploitation and suffering of slaves are still a permanent, haunting presence all through the estate. The recent history of the place is made of better events, with couples getting married there, and tourists coming by buses to visit and watch the historical play –although a much sanitised version of the slavery era, one written in sweat and blood.

Belle Vie was a cipher, really, a place in whose beauty one might find pleasure or pain, leisure or labor. People saw, in its iced columns, in the magnolias and aged oaks, what they wanted to see, what their own history told them to.’

For Caren Gray, working as the manager at Belle Vie and living on the estate, it is both pleasure and pain, leisure and labor. What she sees in it, every day, is made of good memories of her childhood mixed with the uncertainty of the future, hers and her daughter’s. A future she is not entirely ready to face yet. Her past of growing up at Belle Vie was also both good and bad: her mother was the cook but her father was non-existent, a living ghost that she met only once, when she was 12 or so. And now, Caren is repeating the pattern with her own 9-year old daughter, Morgan, who doesn’t get to see her dad very often. Also, Caren’s great-great-great grandfather had been a slave, on the same plantation, but he had disappeared without anyone ever knowing exactly what had happened to him.

Everything changes for the worse when, one morning, the dead body of a young woman is found, on the grounds of Belle Vie. The gruesome discovery and the investigation that ensues stir up the peace and quiet of the place, bringing to the surface some fragile, barely hidden fears and emotions, even waking up the past and its ghosts. The new tension that arises acts on everyone: on Caren, who feels her daughter knows more about the murder than she tells, but also because the past starts resurfacing in many ways around her; on the detectives, Lang and Bertrand, who focus their attention on Caren and one other suspect at Belle Vie, while seemingly ignoring everyone at Groveland, the corporation that neighbours Belle Vie, and where the victim had been working; on the workers of the plantation, who fear the place might be up for sale and thus wonder what is awaiting them in this bad economy; on the Clancys, owners of Belle Vie, from the old father who was always good to the staff, to his two sons, Raymond who has political aspirations that might hurt Belle Vie, and Bobby who doesn’t have much ambition except, probably, the good of the estate and its people.  

Attica Locke’s second novel, following the well-received and Orange Prize-nominated Black Water Rising, is a rich, atmospherically charged story about complex characters living in a complex world where we try to embellish the past, to make it suitable and less bloody than it was; but the past of Belle Vie (and of every other violent history) can’t hide behind its present, because the blood always finds a way to seep through the fabric of time. Locke’s powerful writing subtly builds the tension between past and present, but also between the characters and even within their own, personal turmoil; the emotions depend on how each reader will connect to the characters, and how they’ll interpret what is there or not. Locke doesn’t tell you how to react or what to feel; the emotions are always right there under the surface, as if floating under a sheet of thin ice.  Attica Locke prefers to let the ice melt on its own instead of breaking it; she slowly reveals what is really hidden. And then, we understand better the past. As for the present that tries to undermine the past, maybe we’ll understand it someday.

You can visit Attica Locke on her website. She was born in 1974, a native of Houston (TX) she now lives in Los Angeles (CA). After many years as a Hollywood and TV screenwriter for Paramount, Warner Bros, Disney and a few others, she wrote her first book, Black Water Rising. It was nominated for different awards, like the Orange Prize, an Edgar Award and the NAACP Image Award.

The Cutting Season is published by Harper Collins, under the new line of books chosen by Dennis Lehane.






JF
October 2012

-30-

BACK IN THE HOUSE

Renovations in our house (the real one) following a flood, in late May, are finally over. The paint is dry and my new office is half-functional. Which means that I can work on the computer, at a desk and sitting on a chair, but that there is a pile of boxes (full of books mostly) in the middle of the place. I've got two bookcases built up and filled with books, six or seven more to go.

I'm off today driving 10 hours to Cleveland (Ohio) for BoucherCon --my 2nd one after St.Louis last year-- and when I come back, the House (this one) will get busy. I've got reviews waiting to be posted, some long overdue, so I'd like to thank everyone for their patience, especially those I've told I'd review their book. I have been reading a lot less than usual during these last few months, not only because of the aftermath of the flood, but also due to a change of job, the death of a friend, the organisation of the QuébeCrime Writers Festival (in three weeks!), sickness in the family, etc. It goes without saying that I had even less time for writing. Let's say that my focus was on different things, and that I sometimes felt it was getting out of control. Fortunately, it didn't.

The car is packed, I've had coffee and breakfast so I'm leaving for BoucherCon. I hope I'll meet many of you there. I'll try to post updates during the week, but whether I can or not, I'll write about it next week.

à bientôt!

JF
October 3rd, 2012

P.S.: I'm reading Attica Locke's THE CUTTING SEASON and it is a great book.

-30-